Dennis Markin
1. As a filmmaker, how would you describe your cinematographic tastes and visual style? Are there any specific directors or films that have influenced your approach to cinematography?
I like the neatness and the rhythm of David Fincher movies.
But also I am amazed by “In the Mood for love” by Kar-Wai.
But they are in general.
As I haven’t enough money for a film I trying to copy some edit style from Oliver Stone’s “Natural Born Killers”.
2. Could you share some highlights from your previous festival experiences? Which festivals have you participated in, and how have those experiences shaped your career?
I participated in my 1st film in a horror film fest (in Belarus), and realized that my film was too difficult. So every next film I am learning how to make it more intelligible.
3. Film festivals often provide opportunities for networking and collaboration. Have you formed any valuable connections with fellow filmmakers, producers, or industry professionals during these events?
Yeah, very useful guys I met. Without any regret these guys suggested me to cut out half of my film. They said the film was too boring.
4. What techniques do you employ to craft compelling narratives that resonate with audiences?
On this project, my “tool” was music composer Mick Amelishko. It’s all about the sound design. It’s not just a melody, It’s a melody that was written from scratch after the final edit, and the sound is repeating the behavior or the thoughts of the character.
5. Film festivals can be competitive. How do you stay true to your artistic vision while also considering the preferences of festival selection committees and audiences?
For me, every comment from the audience is a step for my growth. I don’t think, that I will betray myself If I will follow the audience’s thoughts. I mean I am ready to change my next film from the outside, rather than the internal subtext line (I mean the “idea”).
6. Sound design and music play crucial roles in enhancing the cinematic experience. How do you approach incorporating soundscapes and music into your films to evoke emotions and enhance storytelling?
As I said in #4, yeah, audio is 50% of my film. Sound is repeating the inner line of a character.
7. Could you tell us more about the inspiration behind this project and what you hope viewers will take away from it?
My main inspiration is “Fargo-like” movies. When people make stupid actions of their sinful desires. I hope that people get the main idea: if you are jealous of someone, better to self-improve yourself rather then hate someone.
8. Film festivals often showcase films from diverse cultures and backgrounds. How important is it for you to represent cultural authenticity and inclusivity in your work?
It’s important for me. But not in this film. This film I’ve tried to make this more international.
9. The film festival circuit can be a rollercoaster of emotions. How do you handle both the highs and the lows that come with presenting your film to different audiences?
I don’t have enough experience in film festivals. So I don’t know how I’m gonna feel.
10. The editing process is a critical aspect of filmmaking. How do you approach editing your films to create a cohesive and engaging final product?
For me it’s the most lovely part of the job. But.. regarding this film I cut out about a half. For the first time it was very painful, but now I like that the film has good temp, but lost of moments not to understandable now.
11. Collaborating with actors is an essential part of bringing your characters to life. What methods do you use to establish strong relationships with your cast and get the performances you envision?
In Spain I was a bit humble. Just meetings in the cafe, conversations about fave films, rehearsal, reading the script together. But next time I will start from some tequila’s shots. I think the actor should become your close friend. And is the only quick way to do it.
12. Do you have a favorite genre to work with, and how do you adapt your filmmaking approach to suit each genre's unique demands?
This film I’ve tried to make in dark-comedy, but when I am writing for me usually much easy to go with it’s a thriller, with some silent Hero, so maybe next time I will follow my subconscious.
13. With the rise of online streaming platforms, film distribution has evolved significantly. How do you navigate the changing landscape of film distribution to reach wider audiences?
It’s difficult challenge. I record this film in English language and removed some idioms from my country. But next time I will try to imagine my film without any voice audio track.
14. Film festivals often feature panel discussions and workshops. Have you ever participated in these events, and if so, what topics do you enjoy discussing with fellow filmmakers and enthusiasts?
I have some experience. I like all the film-topics. But now I wanna discuss: should the autor follow the trend or should he follow his inner voice. And how to hear this inner voice?
15. As a filmmaker, what are your long-term goals for your career, and what kind of impact do you hope to make in the film industry?
I want my hobby became my job!
I want to make “movie to think” but in very entertaining mode. Like Nolan does.
And want people to spend time watching films rather then TikTok.